A Night In Tunisia Roland Dyens Pdf
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Artist Biography by Robert Cummings
Roland Dyens ws recognized both as one of the most prominent classical guitarists of his generation and as an important composer and arranger of music for the guitar. He was distinguished from most of his rivals by his deft improvisatory skills. His music is quite accessible, often employing folk sources and jazz styles woven into a colorful fabric always suited to the unique sounds of the guitar. Dyens' 1985 piece Tango en Skaï is probably his most popular, though Valse en skaï and Libra Sonatine have also enjoyed currency. Virtually all of Dyens' works involve the guitar: some are solo pieces, while others use several guitars or a combination of instruments (guitar and piano; guitar and string quartet, etc.), while others still use orchestral accompaniment. As a performer, Dyens' repertory was broad, taking in standards by Rodrigo, Sor, Moreno Torroba, Mangoré, and Brouwer. He also performed a number of his own transcriptions of works by Chopin, Villa-Lobos, Satie, and Weiss, as well as compositions he fashioned after themes by Mozart, Rossini, Brouwer, and others. Dyens recorded for Gha Records, Atma Classique, Naïve-Auvidis, and L'empreinte Digitale.
Roland Dyens was born in Tunisia on October 19, 1955. He began studying guitar at nine and at 13 became a student of guitar virtuoso Alberto Ponce. At the Paris-based Concert de l'Ecole Normale de Musique, Dyens studied both guitar and composition, the latter with Désiré Dondeyne.
Dyens won prizes at several guitar competitions, including at the 1979 International Competition Città di Alessandria in Italy. The aforementioned Tango en Skaï helped establish his reputation as a composer in the 1980s, but at the same time his performance skills were broadly celebrated: in 1988 the French music magazine Guitarist included him on the list of the world's top 100 living guitarists.
Dyens received a Grand Prix de l'Académie Charles-Cros for one of his earliest recordings, the Villa-Lobos Concerto for Guitar and Small Orchestra, issued on the Naïve-Auvidis. Throughout the 1990s and first decade of the 2000s Dyens garnered wide acclaim for his concert tours across the globe and for his recordings. In 2007 he composed on commission a performance piece for the prestigious competition of the Guitar Foundation of America, and the following year he was honored at the Città di Fiuggi Guitar Festival in Rome. Among Dyens' recordings is the 2008 release on Gha of pieces by Rodrigo, Brouwer, Buxtehude, and others.
| 'A Night in Tunisia' | |
|---|---|
| Instrumental by Dizzy Gillespie & His Sextet | |
| Released | 1942 |
| Recorded | 1942 |
| Genre | Jazz, bebop[1] |
| Composer(s) |
|
'A Night in Tunisia' is a musical composition written by Dizzy Gillespie around 1941–42 while Gillespie was playing with the Benny Carter band. It has become a jazz standard.
It is also known as 'Interlude',[2] Gillespie called the tune 'Interlude' and said 'some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song.[3][3] 'A Night in Tunisia' was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.
On the album A Night at Birdland Vol. Autotune evo vst free download. 1, Art Blakey introduced his 1954 cover version with this statement: 'At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can.' The audience laughs, but Blakey responds, 'Seriously.' The liner notes say, 'The Texas department of sanitation can take a low bow.'
Analysis[edit]
The complex bass line in the 'A section' is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard 'Alone Together, ' causing the V chord to lead back into the Sub V of the A section.
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
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Dizzy Gillespie A Night In Tunisia
Cover versions[edit]
- Art Blakey with Lee Morgan, A Night in Tunisia (1960)[4]
- Clifford Brown, The Beginning and the End (1955)[4]
- Bill Evans and Tony Scott
- Dexter Gordon with Bud Powell, Our Man in Paris (1963)[4]
- Donald Harrison, Real Life Stories (2001)[4]
- Hugh Masekela, I Am Not Afraid
- Bobby McFerrin with The Manhattan Transfer featuring Jon Hendricks
- Fats Navarro (1950)[4]
- Charlie Parker and Dizzy Gillespie, Jazz at Massey Hall (1953)[4]
- Bud Powell (1951)[4]
- Boyd Raeburn with Dizzy Gillespie, 1945[4]
- Sonny Rollins, A Night at the Village Vanguard (1957)[4]
- Sarah Vaughan, 1944[4]
- Red Garland, Auf Wiedersehen (1975)
- Mary Lou Williams, Live at the Keystone Korner (1977)[4]
References[edit]
Roland Dyens Death Cause
- ^Porter, Eric (31 January 2002). What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. University of California Press. pp. 74–. ISBN978-0-520-92840-4. Retrieved 14 October 2018.
- ^'Night in Tunisia' at jazzstandards.com. Accessed 10 January 2008.
- ^ abGillespie, Dizzy (2009). To Be, or Not – to Bop. University of Minnesota Press. pp. 171–172. ISBN978-0-8166-6547-1. Retrieved 14 October 2018.
- ^ abcdefghijkGioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. p. 299–300. ISBN978-0-19-993739-4.